The Musi, the pride of the city during the Nizam era, is a channel of filth, its banks encroached upon, its waters carrying untreated waste and industrial effluents, and its…
The Musi could have been the defining characteristic of Hyderabad, the cyber city, as it was in history when it filled over 3,000 lakes, had 22 flood diversion channels, 14…
The story of the Musi is woven with that of the city. It, historically, had a riverfront with grand palaces, shamshaan ghats, Sati mounds, dhobi ghats, slums, and held immense…
Once a lifeline of the city of Hyderabad, the Musi was home to thousands of people – mostly economically backward -- living along its banks. The increasing pollution threatened their…
The Musi, the pride of the city during the Nizam era, is a channel of filth, its banks encroached upon, its waters carrying untreated waste and industrial effluents, and its edges subjected to construction in the name of riverfront development.…
The Musi could have been the defining characteristic of Hyderabad, the cyber city, as it was in history when it filled over 3,000 lakes, had 22 flood diversion channels, 14 public parks, and places of learning and social life along…
The story of the Musi is woven with that of the city. It, historically, had a riverfront with grand palaces, shamshaan ghats, Sati mounds, dhobi ghats, slums, and held immense cultural and historical significance. Bathukamma, the flower festival, was celebrated…
Once a lifeline of the city of Hyderabad, the Musi was home to thousands of people – mostly economically backward -- living along its banks. The increasing pollution threatened their well-being; the demolitions, their very existence. While the unauthorised constructions…
The Musi, the pride of the city during the Nizam era, is a channel of filth, its banks encroached upon, its waters carrying untreated waste and industrial effluents, and its edges subjected to construction in the name of riverfront development.…
The Musi could have been the defining characteristic of Hyderabad, the cyber city, as it was in history when it filled over 3,000 lakes, had 22 flood diversion channels, 14 public parks, and places of learning and social life along…
The story of the Musi is woven with that of the city. It, historically, had a riverfront with grand palaces, shamshaan ghats, Sati mounds, dhobi ghats, slums, and held immense cultural and historical significance. Bathukamma, the flower festival, was celebrated…
Once a lifeline of the city of Hyderabad, the Musi was home to thousands of people – mostly economically backward -- living along its banks. The increasing pollution threatened their well-being; the demolitions, their very existence. While the unauthorised constructions…
The Musi, the pride of the city during the Nizam era, is a channel of filth, its banks encroached upon, its waters carrying untreated waste and industrial effluents,…
The Musi, the pride of the city during the Nizam era, is a channel of filth, its banks encroached upon, its waters carrying untreated waste and industrial effluents, and its edges subjected to construction in the name of riverfront development.…
The Musi could have been the defining characteristic of Hyderabad, the cyber city, as it was in history when it filled over 3,000 lakes, had 22 flood diversion channels, 14…
The story of the Musi is woven with that of the city. It, historically, had a riverfront with grand palaces, shamshaan ghats, Sati mounds, dhobi ghats, slums, and held immense…
Once a lifeline of the city of Hyderabad, the Musi was home to thousands of people – mostly economically backward -- living along its banks. The increasing pollution threatened their…
The Musi, the pride of the city during the Nizam era, is a channel of filth, its banks encroached upon, its waters carrying untreated waste and industrial effluents,…
The Musi, the pride of the city during the Nizam era, is a channel of filth, its banks encroached upon, its waters carrying untreated waste and industrial effluents, and its edges subjected to construction in the name of riverfront development.…
Nikeita Saraf, a Thane-based architect and urban practitioner, works as illustrator and writer with Question of Cities. Through her academic years at School of Environment and Architecture, and later as Urban Fellow at the Indian Institute of Human Settlements…